On the southern exterior wall of the nave, a smaller crowned figure wearing a mantle is painted on the left side, at about the height of the lower part of St Christopher’s body. At first glance, it appears that this mural was painted on a different plaster, but it is adapted to the image on the right. The same earthy tones as in the case of St Christopher predominate in this part of the mural: ochre yellow and a somewhat darker red, while the main difference is the use of black drawing. Once again, the entire composition is set against an empty background, with the central figure portrayed strictly frontally. The silhouette of the body and the shape of the head reveal that this is undoubtedly a female figure. The woman holds her mantle with half-lowered arms, beneath which we can discern several small human faces – it is Mary, wearing a tight yellow garment without a belt or any special decoration. Her legs under the garment are indicated with just a simple vertical line. The mantle with a brownish-red upper part and bright lining is draped over her shoulders, with a few parallel folds above her arms. Above the mantle, an unusual white bordure runs alongside the Virgin’s arms. A broader band of white, probably representing a hood, is painted around her shoulders. Only a few strokes representing her head have been preserved, indicating a round face and fair hair falling freely on her shoulders. Mere fragments of the other parts of the face with the eyes, nose, and mouth have survived. Mary wears a white crown with three prominent leaf-shaped spikes, while a simple dark red halo, surrounded by a double stripe, is behind her head. On each side underneath her mantle, about ten small figures are raising their arms in prayer. On both sides, we can see at least a few figures wearing white headdresses, reminiscent of what married women used to wear at the time.