Pigments: white lime, yellow earth, red earth, umber, organic black, lead pigment(s)
Analytical techniques: OM, XRD, XRF
The plaster samples from the nave and the chancel have been analysed using the XRD technique. Both results are very similar and reveal a plaster dominated by quartz, while the calcite content is lower. The plaster also contains some feldspars and dolomite; the lattercould be part of both the binder and the aggregate. Therefore, the plaster mainly consists of aggregate, while the binder, in this case lime, is less abundant. Nevertheless, the plaster in the chancel exhibits slightly higher calcite content and somewhat less quartz, which could indicate that the two works originate from different periods or workshops. The sample cross-sections also reveal a plaster rich in aggregate, especially in the case of the plaster from the nave (Fig. 1). The high content of varicoloured sand grains, ranging from translucent to ochre, red, and brown, is clearly evident. Many of the grains are slightly rounded, so river sand may have been used. Underneath the plaster, a white layer is visible on the sample. This could be the top layer of the arriccio, or a layer of limewash may have been applied before the plaster to ensure its better adherence to the wall. On the other hand, the sample taken from the chancel (Fig. 2) shows more lime and translucent aggregate (crushed limestone, marble, or quartz), which, however, could also result from this sample being smaller. On one of the samples taken in the nave, limewash is also clearly visible (Fig. 1). It seems that the red colour of the flag was applied on top of it – meaning that the plaster had dried before the mural was completed, or that the low amount of lime in the plaster did not have enough binding power, so a layer of limewash was added.
The colour palette is modest. In the chancel, only white and red colours were used, to which also black was added in the nave (Fig. 3). XRF analyses have revealed white lime and red earth (Fig. 1–2), while some organic black must have been used, which cannot be identified by XRF since it does not detect the characteristic light chemical elements. Surprisingly, the XRF spectra indicate the use of a certain lead pigment, either white or red (minium), both on the consecration circles in the chancel and on the red colour of the flag in the nave. The binder is lime from the plaster and the limewash. In some samples, the XRF analysis has revealed retouches based on titanium white and chrome green (titanium).
In both the chancel and the nave, the painting was made on fresh plaster (Figs. 2–3), while in the nave, the lime technique was also used to apply the top red colour (Fig. 1).
The consecration circles were incised in the still-fresh plaster with several concentric circles; the central flowers were also incised. The incisions are deep and wide. A pair of callipers was probably used, although the centre hole is not visible. There is no underdrawing. Both the circles and the flowers were painted in white, pink or red colours, applied with broad brushes. There is no additional modelling, just the basic colour layers. No incisions were used for the flag in the nave, but it was probably outlined with a red underdrawing. However, due to the extensive retouching, the latter is not clear. The grey and the red colours were applied with broad brushes. However, because of the many infills (obviously, the painting was damaged) and retouches, it is impossible to distinguish the brush strokes. Like on the consecration circles, the flag was also painted using only the basic colours, as no additional modelling can be detected. It appears that grey paint was first applied over the limewash, followed by the red colour (Fig. 1).
Laze near Predgrad, Succursal church of St Vitus, Stage 1 (Laze near Predgrad), 2024 (last updated 29. 8. 2024). Corpus picturarum muralium medii aevi, https://corpuspicturarum.zrc-sazu.si/en/poslikava/phase-1-laze-near-predgrad/ (3. 4. 2025).
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