Due to the poor condition of the mural, the painting process and modelling are difficult to discern. During the latest conservation works, test probing has revealed that the mural is, in fact, still partially covered with limewash and dirt accumulated over time and that some colours are still preserved underneath. A better evaluation will therefore need to wait until restoration works take place and the top layer is removed. It appears that the sleeve of the right hand of God the Father at the top of the scene (Fig. 1) was incised into the fresh plaster with thin incisions. The saints’ halos may have been incised just as thinly and almost imperceptibly, though the colour layers make it impossible to say for sure. The same is true of Mary’s bed, which may also have been incised. In the adjacent scene, which probably depicts the baptism of Christ, it is possible to make out a fragment of St John the Baptist’s halo with ray-shaped pouncings. The underdrawing was made with a red colour that can be detected in the upper part of the Death of Mary scene (Fig. 1; the red arrows). No faces have been preserved anywhere, though a hint of the round shape of the heads can still be discerned. The only preserved figure in the Baptism of Christ scene, probably Christ, has a stocky torso and legs that are too short. Behind it, a greenish colour surface (probably a river) with a dark band, which may also be blackened azurite or a lead pigment, has been preserved in the centre of the scene. At the lower right end, it seems that a part of St John the Baptist’s long fur cloak and the outline of his foot can still be seen. The preserved colour surfaces were applied using a thick brush, while no subsequent modelling is visible. The final contours were drawn with a strong, decisive black line, best preserved on the edges of the lower bordure.